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Comic Book Jobs: Who’s Hiring? Marvel Comics!

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Milo Manara's X-MenPrint is dead. And even if it’s not, it’s coughing up ink and it won’t return to the glory days of years gone by. You know the world is changing when even DC Comics is putting stuff on the iPad and iPhone. That’s like John McCain having a Twitter feed.

So I was encouraged when I came across these two job listings at Marvel Comics. Both are based in the digital world, which is where the print world is desperately trying to transition.

First up, Marvel is looking for a Senior Web And Mobile Application Developer. Marvel will be looking to you to enhance “its position in the web and mobile marketplace by extending already successful products and spearheading the development of new ones.”


Lots of technical responsibilities will be coming your way and, needless to say, some solid experience is required. But the whole enterprise sounds like a lot of fun and moving Marvel’s characters to a digital playground feels like building the future. Go forth, and let loose the resumes!

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Comic Book Jobs: Who’s Hiring? Marvel Comics

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Marvel Feature 11It’s a slow summer hiring season, boys and girls, and I imagine it’ll stay that way until at least the fall. But I’m no analyst, just a doofus with a blog.

If you are an analyst, however, you might find a home at Marvel Comics’ New York office. They’re looking for a Junior Publishing Data Analyst who’s “dedicated and highly-motivated” and can “create publishing projects” such as comic books, collections and marketing materials.

Unfortunately, they only want you on a temporary full-time basis with this qualifier:  “This a basic yet very important data entry position that is looking for a detail-oriented and analytical person.”

If selected, your primary mission will be to edit and maintain titles, presumably on a database program not as a hands-on comic book editor. Also you’ll arrange “printing vendor assignments, item categories, pricing and book types,” as well as title schedules and making sure that everything is entered properly so the Sales Department can create those vital “financial forecast reports” that are the lifeblood of a publicly held company like , I mean Marvel.

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Comic Book Jobs: Who’s Hiring? Reed, Marvel and Tokyopop!

Captain America are tough to get, even when the economy is running along smoothly. Now that we’re still in the middle of a deep recession with a large number of folks unemployed for quite some time, it’s even harder. Still, there are a few places for resume senders to send a resume.

Reed Exhibitions, the nemesis of Gareb Shamus, is looking for a Sales Executive for their ReedPop group. No, that isn’t some kind of mid-Western cola, it’s their Comic and Anime division that caters to “fans of comics, anime, movies/tv, video games, action sports, mixed martial arts, food and toys.”

Click to continue reading Comic Book Jobs: Who’s Hiring? Reed, Marvel and Tokyopop!


Comic Book Jobs: Who’s Hiring? Viz Media

Posted by Tom Mason Categories: Editorials, Viz Media,

Bleach 362Viz, the publishers of Shonen Jump, Bleach, One Piece, Dragonball Z and Naruto (and tons of other great manga and anime projects) is looking for a Purchasing & Logistics Coordinator to join their Finance team!

Could that be you? It could be if you have experience in “purchasing and/or supply-chain-management” and “experience in Print/Optical Disc/Home Entertainment Product Packaging procurement” and “knowledge of competitive and lawful bidding and awarding requirements” and you understand the “regulatory factors governing purchasing such as UCC, antitrust laws and ethical principles.” I need a translator for almost everything you just read, but if you don’t, pop that resume over.

The chosen one will assist Viz’s Director of Purchasing with “establishing, communicating, and maintaining company-wide purchasing policies and procedures” so you won’t just be following orders, you’ll be tracking purchasing orders through the system.

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Comic Book Jobs: Who’s Hiring? Marvel Comics

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Iron Man 2I know it’s hard to believe that most that you find listed are not in the traditional creative fields of writing, drawing and editing. It just doesn’t happen. Those all go to an editor’s girlfriend’s brother’s cousin at least according to the paranoids. When you do find some nifty jobs in the field, you can bet they’re some kind of office gig with Aeron chairs picked up from an internet start-up bankruptcy sale.

Marvel Comics, The House of Mouse That Jack And Stan Built, in New York has a couple of those jobs in their cubicle farm system and they both look like fun. And by that I mean interesting. And by that I mean jobs that pay.

First up, Marvel is looking for a Creative Services Coordinator “to support the Creative Services Department with day-to-day and inter and intra-departmental needs and duties.”

So what is a CS Coordinator? The lucky job-holder will “be a key manager of the relationship between Creative Services and all the other divisions within Marvel, as well as outside vendors and business partners…to create, refine and drive processes that will increase the accuracy and efficiency of Creative Services’ daily functions, project coordination, intra-departmental communications, network, and launching projects.” Whew! Say that three times fast. 

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Comic Book Jobs: Who’s Hiring? Tokyopop!

Posted by Tom Mason Categories: Editorials, TokyoPop,

Love Knot 1I know Spring Break just ended for everyone who’s not Lindsay Lohan, and that means summer’s coming and if you’re getting ready to graduate and jump into what’s left of America’s labor pool, or if you are already there and looking for something new and different in the field of comic books, then a good place to start shopping that resume could be out in Los Angeles, at the headquarters of manga publisher .

They have four (count ‘em 4) openings, starting with a Marketing Manager. In that position, you’ll be creating and executing “the Tokyopop marketing plans with a focus on online brand development and management, grassroots, and social media marketing” and reporting all to the Associate Publisher. In addition to getting your Twitter on with your Facebooking and your YouTubing, you’ll be heavily involved in the Tokyopop Tour, managing national and retail accounts and trying to figure out how to increase marketshare. (Unhelpful Hint: in the comics industry, that usually means putting more books on the schedule, so try to think outside of that particular box.)

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Comic Book Jobs: Who’s Hiring? Viz!

Posted by Tom Mason Categories: Editorials, Viz Media,

UltimoSan Francisco is a really nice city. It’s easy to get around in, has a vibrant arts culture, and excellent food. Also, home to Dashiell Hammett, one of the great American writers and Wondercon one of the best of the regional conventions.

You know who else is there? Viz Media, the publishers of Naruto and Shonen Jump.

And now the manga publisher by the bay is looking for a Royalty Financial Analyst. That does not mean you’ll be counting and investing the Queen’s money, but does mean you’ll be on the Viz Finance Team.

You’re going to need some “solid math skills” (well, duh), an ability to “think in an analytical fashion” and you’re going to need those Japanese bilingual skills to even get in the door.

You’ll be using these mad skillz to compile, prepare and review royalty reports, review licensing agreements “to ensure compliance,” process data, report to licensors and licensees, and all that fun accounting stuff. Sadly, an interest in comic books, publishing, manga, anime, etc. is not listed as a requirement, but on the plus side it’s not being put out there as a detriment either.

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Comic Book Jobs: Who’s Hiring? Marvel!

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Super Hero SquadMy favorite superhero cartoons are the DC ones from Warner Bros. where Bruce Timm and friends are at the helm. In fact, if someone just put a show on the air called “Bruce Timm & Friends,” I’d watch it. But the Marvel Comics cartoons have made vast improvements over the years and while I’m outside of the target audience these days, my sons get a kick out of them. Now the Marvel Studios down in Manhattan Beach, California are looking for some help.

In their Animation division, they need a Coordinator in Development and Production. It’s an entry-level deal, and you’ll be working across all of their shows (both regular series and DTV) and pitching in wherever support is needed. In the corporate world, this used to be referred to unofficially as a “floater.”

The job description has a lot of functions – it’s longer than anything you’ll be able to do in a full week – so just be satisfied knowing that you’ll be doing everything someone above you needs done from tracking, monitoring, researching, coordinating and stuff like that. One perk is that you’ll be hiring and managing interns and managing the search for key production and creative positions (which makes you my new best friend).

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Comic Book Jobs: Who’s Hiring? The Stan Lee Orchestra!

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Stan LeeNot everybody who’s part of the comic book industry is writing, drawing, coloring, lettering or editing or blogging about writing, drawing, coloring, lettering or editing. There’s plenty of room for lawyers and accountants and guys who drive the trucks for Diamond Comic Distributors (and those guys are essential). But now there’s also an opportunity for anyone who can tap out a tune on a keytar, slap a bow on a violin or a blow a French horn.

I didn’t know this, or if I did, I’d forgotten it, but there’s apparently a Stan Lee documentary in the works called With Great Power. I believe this is different from the one called True Believer: The Stan Lee Documentary.

The folks behind the With Great Power doc are putting together “talented score musicians” which, unfortunately, are not guitar players who know how to make women pay their rent, but skilled musicians who want to be in the orchestra that’s scoring the film.

If you’re “skilled at your craft, non-union and can sight-read” and want to be part of the 90-piece non-union mighty marching band, I mean orchestra, currently being assembled for a 1-day session in mid-March over at the Warner Brothers’ Eastwood Stage, then some producers would like to hear from you – by email first, then they’ll listen to your pulse-pounding tuba triumph .

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Comic Book Jobs: Who’s Hiring? Marvel, Full Moon and Lego (Sort of)

Posted by Tom Mason Categories: Editorials, Marvel Comics,

Lego BatmanEveryone loves a good job, and people without a job would just like one. I can’t guarantee that any of these jobs are good, bad or fun, but I can see one thing for certain: they are jobs. Let the hunt begin!

Marvel Comics: If you can tell the difference between the Fantastic Four and the Howling Commandos and you’ve got some mad Adobe software skills as well (not just your free Acrobat Reader), then Marvel Comics’ New York office could be the place for you. Their digital production department is looking for a graphic designer with experience in comic book or traditional book production. The downside is that it’s a temp spot and it only pays $15 an hour, but hey, you’ll still be a part of the comic book industry.

Full Moon: Charles Band and the crew behind Full Moon Entertainment’s movies like Puppet Master, Demonic Toys, Dollman, and Trancers are looking for an eBay consultant to help them sell off their tons of warehoused material. It’s a 1000-piece collection “of rare and valuable items, many of them one of a kind. At this time, the intention is 20 pieces per week. They include giant film posters, original concept and production drawings, paintings, pen and ink comic book art, prototypes for figurines, and autographed items.” I worked on some of those Full Moon comics back in the 1990s and if some of the art they’re offering is from that era, there are some nice pieces in that collection including early J. H. Williams.

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